This will be the second time I am bringing my collages directly to the NYC tango community. The first time was at the invitation of Anthony Blackwell. He asked me to show my work at his Monday night milonga, Casa de Tango. I was pleased to share my tango art with a tango audience, people I dance with and talk to every week, but who have no idea what else I do. Our conversations throughout the evening were about hand and feet positions, the importance of the embrace, and their own creative endeavors involving tango. They got the work in a way that my artist friends don't.
my setup at Casa de Tango |
table with unfinished collages in my studio (fig tree outside window) |
I'm also doing new drawings, based on recent photos I've taken at Volvo Tango on the Christopher Street pier. That early evening milonga gives me a rare opportunity for some well-lit photos of dancers. I recycle images ad nauseam, giving myself permission to do that when I saw how Rauschenberg used the same images over and over, always making them fresh. Now I feel I've reached the point of saturation for the current set of images I've been using, so I want to refresh them with a whole new set.
(c)2011 Denise Mumm new drawing |
The Noble museum has been very welcoming, allowing me to use their press in between children's classes. When I go there, I bring along a variety of papers, some patterned, some colored. I also bring a lot of extra images, including some that are just patterns. The patterns I will print onto other patterned papers to use in building translucent layers, or onto a background surface to use as the bottom layer that will be built upon. I usually print for several hours and I never know what direction the session will take, so I try to come prepared for spontaneity, whether it comes from inspiration or failure.
I still have lots of collages to finish, mat, label and package for Friday, so I'd better get back to the studio!
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